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EVEN IN THE BOOK AND TAPE

A big step for me: I joined the 2D, going to put pictures on this blog. And it's time that scanner, broadband connection, my time and position of the stars were all in favor. (Of course that will include images not only in texts from now on, but also in older messages where appropriate.) And that includes the first image is just my age.

Look: at the very moment I was born on the night of August 30, 1957, who was presenting a program on TV Record? She herself, Inezita Barroso ... I found this magazine in São Paulo On TV, as shown alongside.

would be ideal if the received TV Record divine inspiration and transmit the next awards ceremony of APCA ... I and my fellow critics of popular music in this association ( Jose Norberto Flesch and Ines Correia Fernandes ) Inezita honored with an award for his work on behalf of folklore and popular culture in Brazil. Glad you can see Inezita completing 30 years in presenting Viola, Minha Viola ("Wow, I like the program!"), The divine reality TV Cultura. Birthday boy

the end of February, Inezita ganahr just another beautiful gift - which all fans of Brazilian music with MPB can and should enjoy capitals: the The book Girl Inezita Barroso, the arret researcher and writer Angelo Assisi, published by Editora Cortez and will be released on March 3 at the Cortez Library (Bartira Street, 317, street of the good old Cardoso de Almeida, here in Sao Paulo) at 19h. Below is a sneak peek of the book: "[...] While

cousins \u200b\u200bplayed with Little Ox and horses actually Zitinha with her seven-year-old, ran like a crazy to hear pedestrians sing a lot of the fashions sound of guitars. Sometimes she wept with emotion. But in vain she asked, even begged, who taught him to play anything, any music, but they said so compelling that they could not do this. The reason? Play guitar, they said, was no joke, nor a girl. And not a woman. Still, Zitinha not budge and kept listening for hours on the songs they sang and played. Listening to them play, I could ... "

And it's worth making the bed on the balcony of Assisi blogger: http://assisangelo.blogspot.com/

(additional Curiosity: note on the magazine next to the words one of the first programs of Brazilian rock, Rock And Roll , hosted by Geraldo Blota, also a composer, who in the 1960s not only present the highly successful "Ói Nóis Here Tra Veis, but also a Roquinho," Come, Love, in partnership with Adoniran Barbosa - only incursion of rock bard's Bixiga news that I have.)

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Domingão GOOD (AND ANY OTHER DAY) IS WITH Dominguinhos

On 12 / 2 the accordionist and composer Dominguinhos completed 70 years of age. Being 70 years of life over 40 and a beautiful musical career, there would be some days late (lots of work here) to prevent me from providing a homenagenzinha. So I rode a collection of compositions from the master recordings Garanhuns unusual (even rhymed).

To begin, here are four partnerships with Anastasia. "I Love Will Die", a hit with Gal Costa in 1975, Anastasia was released by itself in 1970 - is the recording we hear here. Luiz Gonzaga, who is godson Dominguinhos undisputed artistic and follower, she released "Now I will, Mother" the same year, 1970. Another is "I Thirst" in the second of two recordings made by Gilberto Gil, the album Unplugged 1994. To complete this amostrazinha, let's remember "Only One Xodó," perhaps the best known partnership Dominguinhos and Anastasia - but unusual in a recording made in 1974 by the English pop group Mocedades (one of the smash hit "Eres Tu") - singing in Portuguese! Download everything from arquivinho below.

http://www.4shared.com/get/WpUI64ih/Dominguinhos_-_70_anos_-_minic.html

the next volumes (two are!) Dominguinhos have partnerships with others, including Chico Buarque, Nando Cordel and Rita Lee, and rarities from Dominguinhos himself as an interpreter.

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REGINALDO ROSSI AS ALMOST NEVER HEARD MY FIRST COMPACT

The singer and composer from Pernambuco Reginaldo Rossi is rightly recognized as a forerunner and master of pop-corny, and often is only remembered as such on the covers of his work. Two exceptions that fit the pop-MPB are less tacky "Exile" with the group Comadre Fulozinha (yes, including the quasi-compatriot Karina Buhr) and "Sunday Age" with Ze Ramalho (one of his best recordings in my opinion) . To these we can add a third, and perhaps more extreme: "Waiter" as interpreted by the present writer now in February, and apologizing to Alceu Valenca, the Blitz, RPM and Françoise Hardy, discover why: http://www

.4shared.com/get/YavDtHrn/ayrton_mugnaini_jr_-_garcom__r.html

What's more - and, moreover, the voice of the master in person. In the 1960s, before labels like Sound Free K-Tel and promote unity among the Brazilian record companies, each one turned to cash in on the successes or current events (music festivals, film soundtracks) with re-recordings made by "bucks the house." A case was distinguished LP assembled by Chanticleer songs competing in the Festival da Record 1967, Reginaldo Rossi did very well performing "Sunday In The Park" by Gilberto Gil. Check it out:

http://www.4shared.com/get/qEvaFnzq/reginaldo_rossi_-_domingo_no_p.html

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SIMPLE VIRTUAL 2011

New year, new life (including the post of advisor to the label Sonarts), new design, new partnerships and even new instrument.

I just include two songs from my new project, The Microssambas , only my sambas with less than two minutes, to leave no later than April (although I would still have released in February!) .

One, "Happy Birthday, My Flower," is one of the first results of a new partnership with the composer, singer, vozterapeuta and sympathy, in-person Sonya Joy, whose page on Caiubi also worth a visit (it's sorry, can go over there I hope!). Who knows this our samba-choro becomes a classic birthday song to Brazil, in line with the "Birthday Song" by José Maria de Abreu or "Still Burning Hope" by Raul Seixas. And the new instrument to which I referred is pandeiro samba and choro (not pandeirola known as "tambourine Rita Lee" or "of" Help! "Beatles"), who started playing in year past, was now my public debut in December at a soiree of Caiubi, and this is my first song I recorded with this instrument to be launched to the public (preceded by my arrangement for samba-choro "Waiter" Reginaldo Rossi, who launched a thread of song two days before and also can be heard right here, above). The other

microsamba is "Where's The Sweet," which I wrote as a result of synchronicity ('m leavin the word quirk "coincidence") which made this past week a kind of "african weeks." Let me explain: in the last seven days I was pleasantly overwhelmed by an African-inspired songs. Began precisely on January 31 with the participation of the Second Copyright Caiubi singer Marisa Ricco, whose first album, Storytelling (just out by Sonarts!), has much influence african. It had a double dose of "Abayomi," both the song of that Sonya Pleasures in partnership with Luhli & Lucina (unpublished disk, but that can be heard on her page of Caiubi) and the Rio Group Abayomi Afrobeat Orchestra (excellent for those interested in mergers and african pop, from Santana in the first round, Ben Jor, Osibisa, Fela Kuti, Olodum and many others). Not to mention the soundtrack of the animated film Donkey Kong my son showed me (and reciprocate by showing him a CD of folk music and rhythmic tracks with Moroccan - Morocco Crossroads Of Time , hard-and-book launched by Ellypsis Arts in 1995). Well, all this led me to write "Where's Candy?", A samba well to my style, and I presented to the world following the Second Authorship, with a nice "plus plus": participation of Marisa Ricco, that this Copyright Monday did show the release of their CD. Listen to this my "compact" here:

http://clubecaiubi.ning.com/profile/AyrtonMugnainiJr

These and other songs could be heard mine too - and even seen - in virtual programs Radio Pax and Pax TV presented by other master's sympathy itinerant singer and songwriter Tato Fischer (by the way, I have just completed three years as a member of The Band led by him) participated the edition of February 10, at 10 am Eastern Time (Sampa). Address:

dopranaaluz.blogspot.com
www.tvpax.com.br
www.radiopax.com.br